POETRY FEATURED PROSE FEATURED ARTIST CONTRIBUTORS GUIDELINES ABOUT TIMELINE
Barbara Crooker
          "Who kneads bread dough"

Alexandra Donovan
          "when was his last haircut"

Jehanne Dubrow
          "They are strewn / with loss"

Kathleen Goldbach
          "Light comes less / and less"

Colleen S. Harris
          "the velvet rose rising"

Brittany Hill
          "Don't slouch! Don't pout!"

Katherine Hoerth
          "I bit into this knowledge"

Lynne Knight
          "I'd cry within while she looked off"

Jean L. Kreiling
          "rainbows of detritus"

Angie Macri
          "So many flames have come"

Carolyn Martin
          "Diversions earn our groans."

Kathleen McClung (Featured Poet)
          "Don't bother me again."

Mary Mercier
          "Not everyone is given ninety-four years."

Ann Michael
          "Maybe one human stops"

Leslie Schultz
          "why / we have come here"

Myrna Stone
          "They prance and pout and fluff"

Jean Syed
          "the dainties of civilization"

Ann Christine Tabaka
          "The sequins / Are still blue"

Sally Thomas
          "Up with the mockingbirds"

Doris Watts
          "All this time into widowhood"

Joyce Wilson
          "ornamented pewter stein"

Marly Youmans
          "It's perilous to have the eyes"


































NEWS

The most recent addition to The Mezzo Cammin Women Poets Timeline is Phillis Wheatley by Kathryn Voorhees.

Kathleen McClung is the recipient of the 2019 Mezzo Cammin Scholarship to the Poetry by the Sea conference.

FEATURED ARTIST
Megan Marlatt:Looking like large puppet heads, it was "anima", the root of "animation", that led me to the making of the big heads, (or "capgrossos" as they are called in Catalonia where I learned the craft.) Anima is the soul or what breathes life into a being and to animate an inanimate object, an artist must insert a little soul into it. However to bring attention to what is invisible, (the soul), I chose to mold its opposite in solid form: the persona, the ego, the big head, the mask. Nearly every culture across the globe has masks. They allow performers to climb into the skin of another being and witness the other's world from behind their eyes. While doing so, the mask erases all clues of the performer's age, gender, species or race. In this regard, I find them to be the most transformative and empathic of all human artifacts.

ARCHIVES
LINKS
POETRY
32 Poems
The Academy of American Poets
The Atlantic
The Christian Science Monitor
The Cortland Review
Favorite Poem Project
The Frost Place
The Iowa Review
Light Quarterly
Modern American Poetry
Measure
The Poem Tree
Poetry
Poetry Daily
Poetry Society of America
Poets House
Raintown Review
Slate
String Poet
Valparaiso Poetry Review
Verse Daily
Women's Poetry Listserv
The Yale Review

CONFERENCES
AWP
Bread Loaf
Poetry by the Sea
Sewanee


PUBLISHERS

Barefoot Muse Press
David Robert Books
David R. Godine Press
Graywolf Press
Headmistress Press
The Johns Hopkins University Press
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Univ of Akron Press
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Univ of Illinois Press
Univ of Iowa Press
Waywiser Press
White Violet Press

BOOKS
Alibris
City Lights
Grolier Poetry Bookshop
Joseph Fox Bookshop
Prairie Lights
Tattered Cover Bookstore

OTHER RESOURCES
92nd Street Y
Literary Mothers
NewPages.com
Poets & Writers
10X10